Pirotechnia of Vannoccio Biringuccio, 1943

To make your selection, please click the blue underlines link

Title
Author
Title Page  
Foreword  
Introduction  
Acknowledgements  
Contents  
Preface  
1.      The Ore of Gold  
2.      The Ore of Silver  
3.      The Ore of Copper  
4.      The Ore of Lead  
5.      The Ore of Tin  
6.      The Ore of Iron  
7.      The practice of making steel  
8.      The practice of making brass  
Preface  
1.      Quicksilver and its ore  
2.      Sulphur and its ore  
3.      Antimony and its ore  
4.      Marcasite and its quality  
5.      Vitriol and its ore  
6.      Rock alum and its ore  
7.      Arsenic, orpiment and realgar  
8.      Common mineral salt and many other artificial salts  
9.      Calamine, zaffre and manganese  
10.   The lodestone and some of its effects  
11.   Bole, ochre, [emery] and borax  
12.   Azure and green azure  
13.   Glass and other semiminerals  
14.   Glass and other semiminerals  
Preface  
1.      The method of assaying the ores of all metals in general, and in particular those containing silver and gold  
2.      The method of preparing ores before smelting  
3.      The common forms of blast furnaces and other furnaces for smelting ores  
4.      The method followed in smelting ores  
5.      The method by which lead, silver, and gold are separated from copper when they are all in one mass resulting from the smelting of ores or otherwise  
6.      The method of refining silver on the cupel, the arrangement of weights and the method of finishing the assay of gold and silver more skillfully  
7.      The method of making cupeling hearths for refining silver in quantity  
8.      The method of refining matte and converting it into fine copper  
9.      The method of smelting litharge and reducing it to pure lead  
10.   The properties of charcoal and the different kinds of it  
Preface  
1.      The method of making the common acid for parting gold fiom silver  
2.      The method of assaying silver containing a quantity of gold  
3.      The proper method and procedure in parting gold perfectly fiom silver in quantity, by means of acid  
4.      The method of retrieving silver and good acid from the pre- cipitates fiom acids  
5.      Precautions that must be observed in parting gold from silver with acids  
6.      The method of parting gold fiom silver by means of sul- phur or antimony  
7.      The method of cementing gold and bringing it to its ulti- mate fineness  
Preface  
1.      The alloy of gold  
2.      The alloy of silver with copper  
3.      The alloy of copper  
4.      The alloys of lead and of tin; their purity and fineness  
Preface  
1.      The quality of the day for making moulds for bronze founding  
2.      The arrangement and methods of making the moulds for bronze founding, in general  
3.      The differences in guns and their sizes  
4.      The arrangements and various ways that are used for making moulds for statues to be cast in bronze  
5.      The arrangements and methods for making gun moulds  
6.      How the cores are made for gun moulds  
7.      Methods of making the third part of the mould, called the breech  
8.      The method of making the disc for holding the core  
8 a. The method of supporting the core in the mould at the foot of the gun  
9.      Gates and vents for moulds, in general  
10.   The baking of moulds for casting in bronze, in general  
11.   Necessary advice and precautions in making guns  
12.   Methods of making the moulds for bells of all sizes, and their dimensions  
13.   The rule for proportioning the weight of the clapper to the size [of the bell].  
14.   The ways of hanging bells  
15.   The method of welding [cracked] bells  
Preface  
1.      The method of making reverberatory furnaces for melting metals by the flames of wood  
2.      The method of melting metals in the hearth  
3.      The method of melting in ladles with charcoal and bellows  
3. a. The method of melting metals in crucible  
4.      The method of melting in a wind furnace  
5.      The melting of bronzes and other metals, in general  
6.      The bronzes and alloyed metals for casting, in general  
7.      The methods of arranging various devices for moving the bellows for urging melting fires  
8.      Finishing guns, and the arrangement of gun carriages  
9.      Methods of casting iron for making balls for shooting with guns  
Preface  
1.      Various methods of making powders for casting, which will receive and withstand bronze well  
2.      The method of preparing the salt for making the magistery for moulding powders  
3.      The methods of moulding in frames and boxes in the small art  
4.      The manner of making the powders for casting in green sand, and the method of moulding  
5.      The various methods of moulding reliefs  
6.      Note on some materials that have the property of making metals melt easily and run into every corner of the mould  
Preface  
1.      The art of alchemy in general  
2.      The art of distilling oils and waters, and on sublimations  
3.      Necessary discourse and advice on working a mint  
4.      The art of the goldsmith  
5.      The art of the coppersmith  
6.      The art of the smith who works in iron  
7.      The art of the pewterer  
8.      The manner of drawing out gold, silver, copper, and brass by beating, and making wire  
9.      [The method of preparing gold for spinning]  
10.   The method of removing gold from silver and any other gdded object  
11.   The method of extracting every particle of gold and silver from slags of ores  
12.   The procedure in making mirrors cast in bell metal  
13.   The method of making shells or crucibles for melting  
14.   Discourse on the potter's art  
15.   Concerning lime and bricks  
Preface  
1.      Saltpeter and the procedure of making it  
2.      The powder that is used in firing guns  
3.      The methods that are used in loading guns and shooting them accurately  
4.      Subterranean mines  
5.      The method of making fire tubes  
6.      The manner of making metal balls [that burst]  
7.      The methods of making tongues of fire  
8.      The methods of preparing fire pots  
9.      The method of making various compositions of artificial fires  
10.   Methods of constructing girandoles  
Concerning the fire that consumes without leaving ashes, that is more powerful than any other fire, and whose smith is the great son of Venus  
Appendix A Figures from other sources  
Appendix B Weights and measures  
Appendix C List of editions of the Pirotechnia  
Appendix D Bibliography.  
Index